Tuesday, May 15, 2012
1. my very own studio after years of roommates, new kitty cat, cool job and best friend all in the picture.
2. immediately hit the audition scene second day here. (eager much?) went through to final call backs for penny in hairspray.
3. several invited audition and callbacks from TBA Generals including for SF mime troupe and a summer touring company etc.
4. began working with SF playwright's center. played kami in developmental reading of "samuelson and lyla" -- which is such a fantastic piece.. i really hope it continues on it's journey.
5. staged reading at ashby stage in berkeley called "this play has no title.. yet" -- make my ukulele stage debut!
6. offered roles in night of the iguana (charlotte) and spring awakening (final callbacks for wendla, offered role of thea).
7. planned summer trip to paris!!
8. invited callback for a chorus line (next week..!)
9. i've chosen to make my west coast (re)debut as Rosalie in bigger than a breadbox theater company's summer production of john guare's landscape of the body, going up at the EXIT theater in august. PSYCHED!
10. and MOST EXCITING : the start of my very own artistic home... called The Rabbit Hole, set to open in SF this very October, complete with classes, workshops, a theater company, all art forms for all ages, as a sanctuary and an adventure for all artists. visit www.therabbitholesf.com for a little more. eeeii!!
stay tuned.. all this and more is already, but will continue to be a very exciting chapter. i can't wait to see what's to come.. !
so much peace, love and gratitude,
<3m
Sunday, October 9, 2011
rave review!
References to Salvador Dali Make Me Hot
nytheatre.com review archive
nytheatre.com review
Danny Bowes · September 6, 2011
Pictured: A scene from References to Salvador Dali Make Me Hot(photo © Coryphaeus Theatre Company)
Jose Rivera's 2000 play References To Salvador Dali Make Me Hot is, completely aside from having one of the greatest titles ever, a compelling if elliptical bit of magical realism, telling the tale of a young woman, married to a soldier, who either escapes from reality into dreams or from dreams into reality. The difference isn't terribly relevant, as the play takes the form of a dream, with not everything meant to be taken as literally true, even (especially?) those things that most seem to be.
Structurally, the play opens and closes with fantastical sequences featuring an anthropomorphic (and amorous) moon and a talking cat, who is in love with a coyote (also anthropomorphic). These bookend a very long, and stylistically radically different series of scenes between heroine Gabriela and her soldier husband Benito, who is haunted by his tour in the first Gulf War. Their marriage seems untenable, and crumbles before our eyes, and is portrayed vividly, sympathetic to both parties, who take turns being sympathetic and less so in the audience's eyes.
This is all presented in a visually gorgeous fashion by director Patrice Miller, her design team, and what is certainly one of the best-looking casts you're going to see on a stage anywhere in New York. From top to bottom, there are some fascinating and expressive faces in this ensemble; a great part of what makes them all so fascinating to watch is that they all act really, really well. Mia Romero, who also produced, is tremendous in the lead, in a performance that's clearly a great labor of love. As her husband, Patrick Cann turns in a terrifically nuanced performance as a man without much apparent nuance, alternately a regular Joe, an insensitive boor, and someone trapped by his lack of options in life.
As powerful as it is, this middle section between Gabriela and Benito, as well played as it is by Romero and Cann, is very long. Unfortunately, it's not a play that lends itself terribly well to an intermission, as part of what makes it what it is is the spell it casts over the audience, and certainly by this point in this review it should be clear that there are a great many things to recommend this production. References To Salvador Dali Make Me Hot is playing at the Gene Frankel Theater until the 11th, an accidentally fortuitous date considering the subject matter, but whether you see it on that day or before, this is certainly a show to check out.
Opened: September 6, 2011
Closed: September 11, 2011
Artists Involved
- Cast: Mia Romero, Patrick Cann, Cat Widdifield, Jason Vance, Osvaldo Hernandez Chavez, Sergio Martinez
- Author: Jose Rivera
- Director: Patrice Miller
- Lighting: Jeff Nash
- Sets: Jessica J. Emerson
- Sound: Chris Chappell
- Producer: Coryphaeus Theatre Company
REFERENCES reflection
i can not begin to express my gratitude and growth during References. it was absolutely one of the most fulfilling, formative productions of my life and i will always carry the experience of playing Gabriela with me. i wish i had been better about updating throughout but c'est la vie -- and i've brought along some production stills to make up for it. enjoy!
Wednesday, July 20, 2011
shamefully overdue..
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